THURSDAY JULY 12
08.00 – 09.00: REGISTRATION (A.C. Meyers Vænge 15, reception)
09.00 – 10.00: KEYNOTE 1
Chair: Stefania Serafin
Audio-Visual Objects, Michael Kubovy
10.00 – 10.15: POSTER CRAZE 1
10.15 – 11.00: COFFEE BREAK / POSTER SESSION 1 – SYNTHESIS OF MUSIC AND AUDIO
11.00 – 12.20: SESSION I – PERCEPTION, COGNITION AND ILLUSIONS
Chair: Alexander Refsum Jensenius
From the Shepard Tone to the Perpetual Melody Auditory Illusion, Pedro Patrício
An In-Situ Study of Real Life Listening Context, Diane Watson and Regan L. Mandryk
Effects of Audio-Tactile Floor Augmentation on Perception and Action During Walking: Preliminary Results, Stefano Papetti and Federico Fontana
Factors in human recognition of timbre lexicons generated by data clustering, Gerard Roma, Anna Xambó, Perfecto Herrera and Robin Laney
12.20 – 14.30: LUNCH / POSTER SESSION 1 – SYNTHESIS OF MUSIC AND AUDIO
Yig, the Father of Serpents: A Real-Time Network Music Performance Environment, Chad McKinney and Nick Collins
An Automated Testing Suite for Computer Music Environments, Nils Peters, Trond Lossius and Timothy Place
On the Performance of Real-time DSP on Android Devices, André J. Bianchi and Marcelo Queiroz
A Reactive, Confluently Persistent Framework for the Design og Computer Music, Hanns Holger Rutz
StringScore: Composing Music with Visual Text, Jesus L. Alvaro
The Fluxations Stochastic Interactive Algorithmic Music Engine (SIAME) and iPhone App, Joshua Mailman
Waveguides in Sonification, Katharina Vogt, Robert Höldrich and David Pirró
Automatic Melodic Grammar Generation for Polyphonic Music Using a Classifier System, Tsubasa Tanaka and Kiyoshi Furukawa
The Quiet Walk: Sonic Memories and Mobile Cartography, Alessandro Altavilla and Atau Tanaka
Statistical Synthesis of Transient and Pitch-Changing Signals, Sofia Cavaco
Composing Graphic Scores and Sonifying Visual Music With the Sum Tool, Sara Adhitya and Mika Kuuskankare
Evaluating How Different Video Features Influence the Visual Quality of Resultant Motiongrams, Alexander Refsum Jensenius
14.30 – 16.10: SESSION II – MODELING AND UNDERSTANDING
Chair: Georgios Marentakis
Simulated Formant Modeling of Accompanied Singing Signals for Vocal Melody Extraction, Yu-Ren Chien, Hsin-Min Wang and Shyh-Kang Jeng
Physical Modeling and Hybrid Synthesis for the Gyil African Xylophone, Daniel Godlovitch, Tiago F. Tavares, Shawn Trail and George Tzanetakis
Inverse Problem in Sound Synthesis and Musical Creation Using Mass-Interaction Networks, Jerome Villeneuve and Claude Cadoz
Exploring Sound and Spatialization Design on Speaker Arrays using Physical Modelling, Georgios Marentakis and David Pirro
Saxophone by Model and Measurement, Tamara Smyth and Srikanth Cherla
16.30 – 18.10: SESSION III – SONIC INTERACTIONS
Chair: Davide Rocchesso
”Musica Sull’Acqua”: A motion tracking based sonification of an aquarium in real time, Stefano Baldan, Luca Andrea Ludovico and Davide Andrea Mauro
Electronic Pipe Organ using Audio Feedback, Seunghun Kim and Woon Seung Yeo
Use of soundscapes for providing information about distance left in train journeys, Kjetil Falkenberg Hansen and Roberto Bresin
Employing Spatial Sonification of Target Motion in Tracking Exercises, Simone Spagnol, Michele Geronazzo, Federico Avanzini, Fabio Oscari and Giulio Rosati
The FireFader and Derivatives: Simple, Open-Source, and Reconfigurable Haptics for Musicians, Edgar Berdahl and Alexandros Kontogeorgakopoulos
20.00 - : CONCERT – MUSIC FOR NOVEL INSTRUMENTS AND INTERFACES
FRIDAY JULY 13
09.00 – 10.00: KEYNOTE 2
Chair: Stefania Serafin
Current Challenges to Good Sound Quality, Esben Skovenborg
10.00 – 10.15: POSTER CRAZE 2
10.15 – 11.00: COFFEE BREAK / POSTER SESSION 2 – INTERACTIONS
11.00 – 12.40: SESSION IV – HUMANITIES AND CULTURE
Chair: Mark Grimshaw
Creative Agents, Curatorial Agents, and Human-Agent Interaction in Coming Together, Arne Eigenfeldt and Philippe Pasquier
Novice Collaboration in Solo and Accompaniment Improvisation, Anne-Marie Hansen and Hans Jørgen Andersen
The Body in Electronic Music Performance, Jan C. Schacher
Designing Simulacra or the Electronic Replication of a Mechanical Instrument, Fabio Kaiser, Marian Weger and Winfried Ritsch
Virtual Masks in the BACCHAE by Georgia Spiropoulos (ΙRCAM,2010) : exploring tragic vocality in Max/Msp environment, Anastasia Georgaki and Georgia Spiropoulos
12.40 – 14.30: LUNCH / POSTER SESSION 2 – INTERACTIONS
A System for Sketching in Hardware: Do-It-Yourself Interfaces for Sound and Music Computing, Daniel Overholt
A Study of the Noise-Level in Two Infrared Marker-Based Motion Capture Systems, Alexander Refsum Jensenius, Kristian Nymoen, Ståle A. Skogstad and Arve Voldsund
Sensor Setup for Force and Finger Position and Tilt Measurements for Pianists, Tobias Grosshauser, Victor Candia and Bernd Tessendorf
Disembodied Voices: A Kinect Virtual Choir Conductor, Marcella Mandanici and Sylviane Sapir
A Hybrid Keyboard-Guitar Interface using Capacitive Touch Sensing and Physical Modeling, Christian Heinrichs and Andrew McPherson
A Framework to Evaluate the Adoption Potential of Interactive Performance Systems for Popular Music, Nicolas Gold
A Multi-timelines Scheduler and a Rehearsal Function for Improving Users’ Sensation of Orchestral Conducting with a Conducting System, Takashi Baba, Mitsuyo Hashida and Haruhiro Katayose
An Extension of Interactive Scores for Multimedia Scenarios with Temporal Relations for Micro and Macro Controls, Mauricio Toro-Bermudez, Myriam Desainte-Catherine and Julien Castet
Pianist Motion Capture with the Kinect Depth Camera, Aristotelis Hadjakos
Creative Experiments Using a System for Learning High-Level Performance Structure in Ableton Live, Aengus Martin, Craig Jin, Benjamin Carey and Oliver Bown
Gestural Musical Affordances, Atau Tanaka, Alessandro Altavilla and Neal Spowage
Paths in Interactive Sound Visualization: From AVOL to AV Clash, Nuno N. Correia
Remote Music Tuition, Sam Duffy, Doug Williams, Ian Kegel, Tim Stevens, Jack Jansen, Pablo Cesar and Patrick Healey
14.30 – 15.50: SESSION V – INTERFACES
Chair: Dan Overholt
Papertonnetz: Music Composition with Interactive Paper, Louis Bigo, Jérémie Garcia, Antoine Spicher and Wendy Mackay
Surface as Structure: The multi-touch controller as map of musical state space, Oliver Bown, Daniel Jones and Sam Britton
A Hierarchical Approach for the Design of Gesture-to-Sound Mappings, Jules Françoise, Baptiste Caramiaux and Frédéric Bevilacqua
Spatial Rendering of Audio-Tactile Feedback for Exploration and Object Interaction in Virtual Environments, Roberto Pugliese, Archontis Politis and Tapio Takala
16.00 – 19.00: SOUND INSTALLATIONS – UNCOMMON RESONANCE: SPEAKER AS SOUND OBJECT
SATURDAY JULY 14
09.00 – 10.00: KEYNOTE 3
Chair: Stefania Serafin
The Cognitive Components of Audio Spaces, Lars Kai Hansen
10.00 – 10.15: POSTER CRAZE 3
10.15 – 11.00: COFFEE BREAK / POSTER SESSION 3 – MUSIC INFORMATICS
11.00 – 12.40: SESSION VI – MUSIC INFORMATION RETRIEVAL
Chair: Bob Sturm
Building a Music Search Database Using Human Computation, Mark Cartwright and Bryan Pardo
Towards Predicting Expressed Emotion in Music from Pairwise Comparisons, Jens Madsen, Bjørn Sand Jensen, Jan Larsen and Jens Brehm Nielsen
Combining Score and Filter Based Models to Predict Tempo Fluctuations in Expressive Music Performances, Florian Krebs and Maarten Grachten
Modeling and Predicting Songs Adjacencies in Commercial Albums, Andy M. Sarroff and Michael Casey
Audio Metaphor: Audio Information Retrieval for Soundscape Composition, Miles Thorogood, Philippe Pasquier and Arne Eigenfeldt
12.20 – 14.30: LUNCH / POSTER SESSION 3 – MUSICINFOMATICS
Automatic and Manual Annotation of Time-Varying Perceptual Properties in Movie Soundtracks, Vedant Dhandhania, Jakob Abesser, Anna Marie Kruspe and Holger Grossman
Content-based retrieval of environmental sounds by multiresolution analysis, Ianis Lallemand, Diemo Schwarz and Thierry Artières
Chord Recognition Using Prewitt Filter and Self-Similarity, Nikolay Glazyrin and Alexander Klepinin
Constructing High-Level Perceptual Audio Descriptors for Textural Sounds, Thomas Grill
Recognition of Phonemes in A-cappella Recordings using Temporal Patterns and Mel Frequency Cepstral Coefficients, Jens Kofod Hansen
SpatDIF: Principles, Specification, and Examples, Nils Peters, Trond Lossius and Jan C. Schacher
New Framework for Score Segmentation and Analysis in OpenMusic, Jean Bresson and Carlos Pérez-Sancho
Ideas Automatic Evaluation Methods for Melodies in Algorithmic Composition, Alan Freitas, Frederico Gadelha Guimaraes and Rogerio Barbosa
MusiCOG: A Cognitive Architecture for Music Learning and Generation, James B. Maxwell, Arne Eigenfeldt, Philippe Pasquier and Nicolas Gonzalez Thomas
Enumeration of Chord Sequences, Nick Collins
The ICST DSP Library: A Versatile and Efficient Toolset for Audio Processing and Analysis Applications, Stefano Papetti
An Overview of Sound and Music Applications for Android Available on the Market, Gaël Dubus, Kjetil Falkenberg Hansen and Roberto Bresin
14.30 – 16.10: SESSION VII – SYNTHESIS
Chair: Tamara Smyth
Even More Errant Sound Synthesis, Nick Collins
Automatic Calibration of Modified FM Synthesis to Harmonic Sounds using Genetic Algorithms, Matthieu Macret, Philippe Pasquier and Tamara Smyth
LCSynth: A Strongly-Timed Synthesis Language that Integrates Objects and Manipulations for Microsounds, Hiroki Nishino and Naotoshi Osaka
Concatenative Synthesis Unit Navigation and Dynamic Rearrangement in vrGrains, Victor Zappi, Dario Mazzanti, Andrea Brogni and Darwin Caldwell
Sketching Concatenative Synthesis: Searching for Audiovisual Isomorphism in Reduced Models, Augoustinos Tsiros, Gregory Leplatre and Michael Smyth
16.10 – 16.30: COFFEE BREAK
16.30 – 18.10: SESSION VIII – PROCESSING SOUND AND MUSIC
Chair: Gianpaolo Evangelista
The Constant-Q IIR Filterbank Approach to Spectral Flux, Risto Holopainen
Persistent Empirical Wiener Estimation With Adaptive Threshold Selection for Audio Denoising, Kai Siedenburg
Enhanced Source-Filter Model of Quasi-Harmonic Instruments for Sound Synthesis, Transformation and Interpolation, Henrik Hahn and Axel Roebel
Phase Vocoders With Arbitrary Frequency Band Selection, Gianpaolo Evangelista, Monika Dörfler and Ewa Matusiak
Automatic Arrangement for Guitars Using Hidden Markov Model, Gen Hori, Yuma Yoshinaga, Satoru Fukayama, Hirokazu Kameoka and Shigeki Sagayama
20.00 - : CONCERT – MUSIC ROBOTS