From the Shepard Tone to the Perpetual Melody Auditory Illusion

Publication Type:

Conference Proceedings

Source:

Proceedings of the 9th Sound and Music Computing Conference, Copenhagen, Denmark, p.05-10 (2012)

Abstract:

This paper discusses the use of the Shepard Tone (ST) as a digital sound source in musical composition. This tone has two musical interests. First, it underlines the difference between the tone height and the tone chroma, opening new possibilities in sound generation and musical perception. And second, considering the fact that it is (in a paradoxical way) locally directional while still globally stable and circumscribed it allows us to look differently at the instrument's range as well as at the phrasing in musical composition. Thus, this paper proposes a method of generating the ST relying upon an alternative spectral envelope, which as far as we know, has never been used before for the reproduction of the Shepard Scale Illusion (SSI). Using the proposed digital sound source, it was possible to successfully reproduce the SSI, even when applied to a melody. The melody was called "Perpetual Melody Auditory Illusion" because when it is heard it creates the auditory illusion that it never ends, as is the case with the SSI. Moreover, we composed a digital music titled “Perpetual Melody – contrasting moments”, using exclusively the digital sound source as sound generator and the melody as musical content.

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