We have linked to all SMC 2012 papers on the technical program: http://smc2012.smcnetwork.org/program-2/technical-program/
And the two best papers of SMC2012 are:
“SpatDIF: Principles, Specification, and Examples” by Nils Peters, Trond Lossius and Jan C. Schacher
“The FireFader and Derivatives: Simple, Open-Source, and Reconfigurable Haptics for Musicians” by Edgar Berdahl and Alexandros Kontogeorgakopoulos
Congratulations!
And the nominees are …
Ten papers were given high praises by reviewers and meta-reviewers alike. Two of these have been selected as Best Papers of SMC 2012 by the Chair and Technical Paper Committee (Bob L. Sturm, Sofia Dahl, Stefania Serafin) in collaboration with Doug Keislar of The Computer Music Journal. The winners will be announced soon, and are invited to submit a revised and expanded version for publication in a future issue of The Computer Music Journal. Congratulations to all!
“Yig, the Father of Serpents: A Real-Time Network Music Performance Environment” by Chad McKinney and Nick Collins
“SKETCHING CONCATENATIVE SYNTHESIS: SEARCHING FOR AUDIOVISUAL ISOMORPHISM IN REDUCED MODES” by Augoustinos Tsiros, Gregory Leplatre and Michael Smyth
“The FireFader and Derivatives: Simple, Open-Source, and Reconfigurable Haptics for Musicians” by Edgar Berdahl and Alexandros Kontogeorgakopoulos
“An Automated Testing Suite for Computer Music Environments” by Nils Peters, Trond Lossius and Timothy Place
“LCSynth: A Strongly-Timed Synthesis Language that Integrates Objects and Manipulations for Microsounds” by Hiroki Nishino and Naotoshi Osaka
“Automatic Calibration of Modified FM Synthesis to Harmonic Sounds using Genetic Algorithms” by Matthieu Macret, Philippe Pasquier and Tamara Smyth
“SpatDIF: Principles, Specification, and Examples” by Nils Peters, Trond Lossius and Jan C. Schacher
“A Framework to Evaluate the Adoption Potential of Interactive Performance Systems for Popular Music” by Nicolas Gold
“PAPERTONNETZ: MUSIC COMPOSITION WITH INTERACTIVE PAPER” by Louis Bigo, Jérémie Garcia, Antoine Spicher and Wendy Mackay
“A System for Sketching in Hardware: Do-It-Yourself Interfaces for Sound and Music Computing” by Daniel Overholt
Boat transportations
Here is the schedule for the boats living from Sydhavn and going to the different concert venues:
11/7: 18.45-19.45 from Nokia to The Little Mermaid
12/7: 18.45-19.45 from Nokia to Orlogsmuseet
13/7: 16:30 from Nokia to installation venues.
14/7: 18.45-19.45 from Nokia to Amalienborg
Vis Lej en båd – Canal Tours A/S på et større kort
Boat transportation during SMC
From Wednesday to Saturday we will have a boat taking participants from the technical sessions in Sydhavn to the music events in Østebro and Christianshavn.
SMC 2012 technical program
SMC 2012 music program available online
The music program for SMC 2012 can be found here: http://smc2012.smcnetwork.org/program-2/program/
SMC 2012 notification of acceptance for technical program.
SMC 2012 has announced the accepted contributions for the technical program. We received in total 142 submissions, and we accepted 78.
Tutorial contributions
We welcome submissions of proposals for half-day or full-day tutorials to take place on July 11th.
Any tutorial which covers topics related to SMC are welcome.
Tutorials should be submitted as a maximum one-page description to be sent by email to sts (at) create.aau.dk by April 15th.
Instructors of selected tutorials will receive free full registration to the conference.
Partial deadline extension
Partial deadline extension for SMC 2012:
Author are still requested to create their submissions on EasyChair by April 2nd at midnight, GMT+1 However, authors will be allowed to update existing submissions until April 9th, 2012, ad midnight, GMT +1.