Abstract:

In the course of the realization of the sound installation \textit{Interstices}, questions pertaining to the auditory perception of location and extent and the spatial composition of the micro and macro structure of sound were explored in a \textit{poietic} way. Physical modelling was re-interpreted as a framework to design the spatial and timbral appearance of sounds upon a set of distributed speaker array clusters. This explorative process lead to observations that helped formulating novel research questions within the context of psychoacoustics and auditory display.