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SMC'05 Conference Proceedings
MX STRUCTURAL METADATA AS MIR TOOLS
Goffredo Haus, Alberto Pinto
DIGITAL AUDIO EFFECTS AND PHYSICAL MODELING
Kontogeorgakopoulos, Cadoz Claude, Alexandros
AUDIO FEEDBACK IN PREDICTIVE HCI METHODS
Amalia de Götzen, Davide Rocchesso
A STUDY ON USING THE MELLIN TRANSFORM FOR VOWEL RECOGNITION
Antonio De Sena and Davide Rocchesso
ARTIFICIAL SINGING WITH A WEBCAM MOUTH-CONTROLLER
Athanasios Hapipis and Eduardo Reck Miranda
A TEMPORAL CONCURRENT CONSTRAINT CALCULUS AS AN AUDIO PROCESSING FRAMEWORK
Camilo Rueda, Frank Valencia
GMU, A FLEXIBLE GRANULAR SYNTHESIS ENVIRONMENT IN MAX/MSP
Charles Bascou and Laurent Pottier
MULTISENSORY INTERACTIVE INSTALLATION
Daniela Voto, Manuel Viņas Limonchi, Umberto D'Auria.
STEERING GENERATIVE RULES WITH THE EEG: AN APPROACH TO BRAIN-COMPUTER MUSIC INTERFACING
Eduardo Reck Miranda and Bram Boskamp
SEGMENTAL TEMPO ANALYSIS OF PERFORMANCES IN USER-CENTERED EXPERIMENTS IN THE DISTRIBUTED IMMERSIVE PERFORMANCE PROJECT
Elaine Chew, Alexander Sawchuk, Carley Tanoue, Roger Zimmermann
CONVERSATIONAL INTERACTIVITY IN SLOW-MOTION: A COMPARISON OF PHONE DIALOGUES AND OPERA SCENES
Peter Reichl, Florian Hammer, Marena Balinova
COMPUTER MUSIC ANALYSIS VIA A MULTIDISCIPLINARY APPROACH
Francesca Nucibella, Savino Porcelluzzi, Laura Zattra
MATHEMATICAL STRUCTURE AND SOUND SYNTHESIS
Georg Essl
Improvisation Planning and Jam Session Design using concepts of Sequence Variation and Flow Experience
S. Dubnov, G. Assayag
STATE OF THE ART AND NEW RESULTS IN DIRECT MANIPULATION OF MPEG AUDIO CODES
Goffredo Haus, Giancarlo Vercellesi
MULTIMODAL AND CROSS-MODAL PROCESSING IN INTERACTIVE SYSTEMS BASED ON TANGIBLE ACOUSTIC INTERFACES
A. Camurri, C. Canepa, C. Drioli, A. Massari, B. Mazzarino, G. Volpe
PHONODEON: CONTROLLING SYNTHETIC VOICES VIA MIDI-ACCORDEON
Anastasia Georgaki, Ioannis Zannos, Nikolaos Valsmakis
INSTRUMENTAL GESTURES AND SONIC TEXTURES
Jehan-Julien FILATRIAU, Daniel ARFIB
AUGMENTING C-CARDS WITH MUSIC ACTIONS
Andrea Valente, Kirstin Lyon, Kristoffer Jensen
ANALYSIS AND ANALYSES OF ELECTROACOUSTIC MUSIC*
Laura Zattra
PHYSICAL MOVEMENT AND MUSICAL GESTURES: A MULTILEVEL MAPPING STRATEGY
Diego Fenza, Luca Mion, Sergio Canazza, Antonio Rodà
ON THE LEARNING STAGES OF AN INTELLIGENT RHYTHMIC GENERATOR
Marcelo Gimenes, Eduardo Reck Miranda, Chris Johnson
INTRODUCTION TO COMPUTER-ASSITED MUSIC ANALYSIS IN PWGL
Mikael Laurson, Mika Kuuskankare, Kimmo Kuitunen
What is the Essence of "Music?" A Case Study on a Japanese Audience
Homei MIYASHITA, Kazushi NISHIMOTO
SUSTAINABLE LIVE ELECTRO-ACOUSTIC MUSIC
Nicola Bernardini, Alvise Vidolin
EXTENDED WAVEFORM SEGMENT SYNTHESIS, A NONSTANDARD SYNTHESIS MODEL FOR MICROSOUND COMPOSITION
Nikolas Valsamakis, Eduardo Reck Miranda
EFFICIENT EXTRACTION OF CLOSED MOTIVIC PATTERNS IN MULTI-DIMENSIONAL SYMBOLIC REPRESENTATIONS OF MUSIC
Olivier Lartillot
MUSIC TRANSFORMATION IN CELLULAR SPACES TRIGGERED BY WALSH FUNCTIONS
Patricio da Silva, Adolfo Maia Jr.
CONSTRAINS ON THE MODEL FOR SELF-SUSTAINED SOUNDS GENERATED BY ORGAN PIPE INFERRED BY INDEPENDENT COMPONENT ANALYSIS
E. De Lauro, S. De Martino, M. Falanga, G. Sarno
EVENT SYNCHRONOUS MUSIC THUMBNAILS: EXPERIMENTS
Gianpaolo Evangelista, Sergio Cavaliere
A SYNTHESIZER BASED ON SQUARE WAVES
Sossio Vergara
THE CROAKER: DESIGN AND EVALUATION OF A NEW MULTIMODAL INTERFACE
Stefania Serafin, Amalia De Gotzen
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