5th Sound and Music Computing Conference
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PROCEEDINGS 

 

Session 1/1

An A-Life Approach to Machine Learning of Musical Worldviews for Improvisation Systems

by Marcelo Gimenes and Eduardo R. Miranda

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Session 1/2

Breeding Rhythms with Artificial Life

by Joao M. Martins and Eduardo R. Miranda

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Session 1/3

Melody Characterization by a Genetic Fuzzy System

by Pedro J. Ponce de León, David Rizo, Rafael Ramirez and José M. Iñesta

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Session 1/4

Expressive Performance in the Human Tenor Voice

by Maria Cristina Marinescu and Rafael Ramirez

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Session 1/5

Modeling Moods in Violin Performances

by Alfonso Perez, Rafael Ramirez and Stefan Kersten

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Session 2/1 

RetroSpat: a Perception-Based System for Semi-Automatic Diffusion of Acousmatic Music

by Joan Mouba, Sylvain Marchand, Boris Mansencal and Jean-Michel Rivet

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Session 2/2

Asymmetrical Envelope Shapes in Sound Spatialization

by Francesco Canavese, Francesco Giomi, Damiano Meacci and Kilian Schwoon

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Session 2/3

Distance Encoding in Ambisonics Using Three Angular Coordinates

by Rui Penha

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Session 2/4

Granular Sound Spatialization Using Dictionary-Based Methods

by Aaron McLeran, Curtis Roads, Bob L. Sturm and John J. Shynk

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Session 3/1

VOCABULARY OF SPACE PERCEPTION IN ELECTROACOUSTIC MUSICS COMPOSED OR SPATIALISED IN PENTAPHONY

by Bertrand Merlier

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Session 3/2

Sound as Multiplicity: Spaces and representations in computer music composition

by Arturo Fuentes

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Session 4/1

Sound Spatialisation, Free Improvisation and Ambiguity

by James Mooney, Paul Bell and Adam Parkinsony

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Session 4/2

Traditional and digital music instruments : a relationship based on a interactive model

by Paulo Ferreira-Lopes

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Session 5/1

Memory Space

by Simon Emmerson

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Session 5/2

Echi tra le Volte, a sound design project for churches

by Andrea Taroppi

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Session 5/3

Spatial Orchestration

Eric Lyon

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Session 5/4 

Applications of Typomorphology in Acute; Scoring the Ideal and its Mirror.

by Ricardo Climent

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Session 5/5

Space Resonating Through Sound

by Fernando Iazzetta and Lílian Campesato

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Session 6/1

Space as an Evolution Strategy. Sketch of a Generative Ecosystemic Structure of Sound

by Massimo Scamarcio

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Session 6/3

Textural Composition and its Space

by Kerry Hagan

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Session 6/4 

Sound in Cyberspace: Exploring Material Technoculture

by Marilou Polymeropoulou

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Session 6/5

Towards a decodification of the graphical scores of Anestis Logothetis (1921-1994). The graphical space of Odysee (1963).

by Baveli Maria-Dimitra and Georgaki Anastasia

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Session 7/1

CompScheme: A Language for Composition and Stochastic Synthesis

by Luc Döbereiner

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Session 7/2

A dynamic spatial locator ugen for CLM

by Fernando Lopez-Lezcano

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Session 7/3

Zsa.Descriptors: a library for real-time descriptors analysis

by Mikhail Malt and Emmanuel Jourdan

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Session 7/4

Ephemeron: Control over Self-Organised Music

by Phivos-Angelos KOLLIAS

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Session 7/5

An algorithm for real-time harmonic microtuning

by Marc Sabat

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Session 8/1

NOVARS RESEARCH CENTRE, UNIVERSITY OF MANCHESTER, UK. STUDIO REPORT

by Ricardo Climent, David Berezan and Andrew Davison

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Session 8/2

Speaker-Herd: A Multichannel Loudspeaker Project for Miscellaneous Spaces, Loudspeaker Architectures and Composition Approaches

by P. Modler, L. Fütterer, E. Farchmin, F. Bierlein, R. Raepple, D. Loscher, T. Möhrmann, A. Rafinsky, M Zielke, A. Kerschkewitz and A. Unger

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Session 9/1

Modeling Affective Content of Music: A Knowledge Base Approach

by Antonio Pedro Oliveira and Amilcar Cardoso

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Session 9/2

Mode-dependent Differences in Chord Classification under an Original Computational Method of Tonal Structure Analysis

by Miroslaw Majchrzak

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Session 10/1

Concatenative Synthesis of Expressive Saxophone Performance

by Stefan Kersten and Rafael Ramirez

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Session 10/2

Designing and Synthesizing Delay-Based Digital Audio Effects using the CORDIS ANIMA Physical Modeling Formalism

by Kontogeorgakopoulos Alexandros and Cadoz Claude

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Session 10/3

Extending voice-driven synthesis to audio mosaicing

by Jordi Janer and Maarten de Boer

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