| Friday 31-07-2015 |
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| 08:45
- 09:00 |
Registration
|
[Iontas - Foyer] |
| 09:10
- 10:00 |
Keynote II: Musical Sound Source Separation Dr. Derry Fitzgerald |
[Iontas - TH 0.003] |
| Oral
Session V: |
Models for Sound Analysis and Synthesis/Auditory displays and data sonification Chair: Jari Kleimola |
[Iontas - TH 0.003] |
| 10:00
- 10:20 |
Movement Perception in Music Performance - A Mixed Methods Investigation Jan C. Schacher, Hanna Järveläinen, Christian Strinning and Patrick Neff |
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| 10:20
- 10:40 |
Psychoacoustic impact assessment of smoothed AM/FM resonance signals Antonio José Homsi Goulart, Joseph Timoney, Marcelo Gomes de Queiroz and Victor Lazzarini |
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| 10:40
- 11:00 |
Multichannel composition using state space models and sonification Rosalia Soria-Luz |
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| Poster Craze III: |
Interactive Performance Systems/Multimodality in sound and music computing II Chair: Anastasia Georgaki |
[Iontas - TH 0.003] |
| 11:00
- 11:20 |
Sensors2OSC Antonio D. Carvalho Jr. and Thomas Mayer |
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| Cooperative musical creation using Kinect, WiiMote, Epoc and microphones: a case study with MinDSounDS Tiago F. Tavares, Gabriel Rimoldi, Vânia Eger Pontes and Jônatas Manzolli |
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| The “Harmonic Walk” and enactive knowledge: an assessment report Marcella Mandanici, Antonio Roda' and Sergio Canazza |
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| Distributing Music Scores to Mobile Platforms and to the Internet Dominique Fober, Guillaume Gouilloux, Yann Orlarey and Stéphane Letz |
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| Sound My Vision: Real-time video analysis on mobile platforms for controlling multimedia performances Miranda Kreković, Franco Grbac and Gordan Kreković |
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| Addressing Tempo Estimation Octave Errors in Electronic
Music by Incorporating Style Information Extracted from Wikipedia Florian Hörschläger, Richard Vogl, Sebastian Böck and Peter Knees |
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| 11:20
- 12:00 |
Coffee / Poster Session III |
[Iontas - Foyer] |
| Oral
Session VI: |
Computer Environments for Sound/Music Processing Chair: Tetsuro Kitahara |
[Iontas - TH 0.003] |
| 12:00
- 12:20 |
Web Audio Modules Jari Kleimola and Oliver Larkin |
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| 12:20
- 12:40 |
Tempo curving as a framework for interactive computer-aided composition Jean Bresson and John MacCallum |
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| 12:40
- 13:00 |
Perceiving and Predicting Expressive Rhythm with Recurrent Neural Networks Andrew J. Lambert, Tillman Weyde and Newton Armstrong |
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| 13:00
- 14:15 |
Lunch |
[Phoenix Restaurant] |
| Oral
Session VII: |
Computational Musicology and Mathematical Music Theory I Chair: Giovanni De Poli |
[Iontas - TH 0.003] |
| 14:15
- 14:35 |
Grammatical Evolution with Zipf's Law Based Fitness for Melodic Composition Róisín Loughran, James McDermott and Michael O'Neill |
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| 14:35
- 14:55 |
Modeling of phoneme duaration for alignment between polyphonic audio and lyrics Georgi Dzhambazov and Xavier Serra |
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| 14:55
- 15:15 |
Generalizing Messiaen’s Modes of Limited Transposition to a n-tone Equal Temperament Luca Andrea Ludovico and Adriano Baratè |
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| 15:15
- 15:35 |
SynPy: a Python Toolkit for Syncopation Modelling Chunyang Song, Marcus Pearce and Christopher Harte |
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| Poster Craze IV: |
Computer environments for sound/music processing/Content processing of music audio signals Chair: James McDermott |
[Iontas - TH 0.003] |
| 15:35
- 15:55 |
MEPHISTO: A Source to Source Transpiler from Pure Data to Faust Abdullah Onur Demir and Hüseyin Hacıhabiboğlu |
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| To “Sketch a Scratch” Alan Del Piccolo, Stefano Delle Monache, Davide Rocchesso, Stefano Papetti and Davide Andrea Mauro |
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| Inter-channel synchronisation for transmitting live audio streams over digital radio links Stephen Brown and Jorge Oliver |
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| MUSICMEAN: Fusion-based music generation Tatsunori Hirai, Shoto Sasaki and Shigeo Morishima |
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| Desirable aspects of visual programming languages for different applications in music creation Antonio Pošćić, Gordan Kreković and Ana Butković |
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| Online harmonic/percussive separation using smoothness/sparseness constraint Francisco Canadas-Quesada, Pedro Vera-Candeas, Nicolas Ruiz-Reyes, P. Alonso and J. Ranilla |
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| 15:55
- 16:40 |
Coffee / Poster Session IV |
[Iontas - Foyer] |
| Oral
Session VIII: |
Multimodality in Sound and Music Computing Chair: Federico Avanzini |
[Iontas - TH 0.003] |
| 16:40
- 17:00 |
Wave Voxel Synthesis Anis Haron and Matthew Wright |
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| 17:00
- 17:20 |
Mozart is still blue: a comparison of sensory and verbal scales to describe qualities in music Maddalena Murari, Antonio Rodà, Osvaldo Da Pos, Emery Schubert, Sergio Canazza and Giovanni De Poli |
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| 17:20
- 17:40 |
Vibrotactile Discrimination of Pure and Complex Waveforms Gareth William Young, Dave Murphy and Jeffrey Weeter |
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| 20:00 - 21:15 |
Concert I |
[Renehan Hall - South Campus] |
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