PROCEEDING PAPERS
IMAGE / SOUND RELATIONS
Computer vision method for guitarist fingering retrieval
Anne-Marie Burns and Marcelo M. Wanderley
A model for graphical interaction applied to gestural control of sound
Jean-Michel Couturier
Exploring the effect of mapping trajectories on musical performance
Doug Van Nort and Marcelo M. Wanderley
Extracting musically-relevant rhythmic information from dance movement by applying pitch-tracking techniques to a video signal
Carlos Guedes
A java framework for data sonification and 3D graphic rendering
Domenico Vicinanza
Sound and music design for games and interactive media
Stephane Natkin and Cecile Le Prado
SOUND MODELING & CONTROL
Realtime control of geek chant synthesis
Iannis Zannos, Anastasia Georgaki, Dimitrios Delviniotis and Georgios Kouroupetroglou
Using evolving physical models for musical creation in the Genesis environment
Olivier Tache and Claude Cadoz
Sound texture modeling : A survey
Gerda Strobl, Gerhard Eckel and Davide Rocchesso
Temporal control over sound synthesis processes
Jean Bresson and Carlos Agon
A game audio technology overview
Olivier Veneri, Stéphane Natkin, Cécile Le Prado and Marc Emerit
INTERACTIVE MUSIC SYSTEM
Omax – Ofon
Gérard Assayag
First steps towards a digital assistant for performers and stage directors
Alain Bonardi and Isis Truck
Kinetic engine : Toward an intelligent improvising instrument
Arne Eigenfeldt
Concurrent constraints models for interactive scores
Antoine Allombert, Gérard Assayag, Myriam Desainte-Catherine and Camilo Rueda
Automatic composition and notation in network music environments
Georg Hajdu
MUSIC MODELING & REPRESENTATIONS
Imitative and generative orchestrations using pre-analysed sounds databases
Grégoire Carpentier, Damien Tardieu, Gérard Assayag, Xavier Rodet and Emmanuel Saint-James
Generating chants using mnemonic capabilities
Sudharsan Iyengar
Music structure representation : A formal model
Paolo Tagliolato
An xml-based format for advanced music fruition
Adriano Baratè, Goffredo Haus and Luca A. Ludovico
MUSICAL ANALYSIS
Computer–aided transformational analysis with tone sieves
Thomas Noll, Moreno Andreatta, Carlos Agon and Emmanuel Amiot
Trends in/over time : Rhythm in speech and musical melody in 19th century Art Song
Leigh VanHandel
A computer-assisted analysis of rhythmic periodicity applied to two metric versions of Luciano Berio’s Sequenza VII
Patricia Alessandrini
REALTIME MUSICAL APPLICATIONS
Interaction and spatialization : Three recent musical works
Jean-Claude Risset
Minimalism and process music : A Pure Data realization of "Pendulum music"
Remigio Coco
AFIM WORKGROUPS
Composing audio-visual art : The issue of time and the concept of transduction
Benoît Courribet
Vocabulaire de l’espace et de la spatialisation
Bertrand Merlier