The schedule can be subject to minor revisions.
Thursday, 31.07.08
| 10:00-14:00 | Registration | | | | | 14.00-17.00 | Session 1: Artificial Intelligence, Machine Learning, Genetic Algorithms
| | | Room: H 1012 | | | | | 14.00 | An Artificial Life Approach to Machine Learning of Musical Worldviews for Improvisation Systems (Marcelo Gimenes, Eduardo R. Miranda)
| | 14.30 | Breeding Rhythms with Artificial Life (Joao M. Martins, Eduardo R. Miranda)
| | 15.00 | Melody Characterization by a Genetic Fuzzy System (Pedro J. Ponce de León, David Rizo, Rafael Ramirez, Jose M. Inesta )
| | | | | 15.30-16.00 | Coffee Break | | | | | 16.00 | Expressive Performance in the Human Tenor Voice (Maria Cristina Marinescu, Rafael Ramirez)
| | 16.30 | Modeling Moods in Violin Performances (Alfonso Perez, Rafael Ramirez, Stefan Kersten)
| | | | | 18.00 | Opening and Keynote lecture
| | | Room: H 104 | | | Welcome Statements by
-Stefan Weinzierl (Audio communication group, TU Berlin)
-Michael Harenberg (President DEGEM) | | | | | | Keynote lecture | | | Bernhard Leitner: SOUND : SPACE. 1968 – 2008 | | | | | 19.00 | Reception
| | | | | 20.30 | Opening Concert | | | Room: H 104
| | | Gilles Gobeil: Castalie (UA/AW)
Ludger Brümmer: Move
Hans Tutschku: Zellen – Linien
Åke Parmerud: Dreaming in Darkness
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Friday, 01.08.08
| 09:00-13:00 | Registration
| | | | 10.00-13.00
| Session 2: Spatialisation Technologies
| | | Room: H 1012
| | | | | 10.00 | RetroSpat: a Perception-Based System for Semi-Automatic Diffusion of Acousmatic Music (Joan Mouba, Sylvain Marchand, Boris Mansencal, Jean-Michel Rivet) | 10.30
| | Asymmetrical Envelope Shapes in Sound Spatialization (Francesco Canavese, Francesco Giomi, Damiano Meacci, Kilian Schwoon) |
| | | | 11.00-11.30
| Coffee Break
| | | | | 11.30 | Invited Talk: Using physical models for sound spatialisation (Hans Tutschku)
| 12.00
| Distance encoding in Ambisonics using three angular coordinates (Rui Penha)
| 12.30
| Granular Sound Spatialization Using Dictionary-Based Methods
(Aaron McLeran, Curtis Roads, Bob L. Sturm, John J. Shynk)
| | | | 14.30-15.30
| Session 3: Perception of Space
| | | Room: H 1012 | | | | 14.30
| Vocabulary of space perception in electroacoustic musics composed or spatialised in pentaphony (Bertrand Merlier)
| | 15.00 | Sound as Multiplicity: Spaces and representations in computer music composition (Arturo Fuentes)
| | | | 16.00-17.30
| Session 4: Performance and Interaction | | | Room: H 1012 | | | | | 16.00 | Sound Spatialisation, Free Improvisation and Ambiguity (James Mooney, Paul Belly, Adam Parkinson) | | 16.30 | Traditional and digital music instruments: a relationship based on a interactive model (Paulo Ferreira-Lopes) | | 17.00 | Aesthetic strategies of a coupling of tactile and aural feedback – Influence of the distance of a loudspeaker to the performer on musical expressiveness (Jin Hyun Kim) | | | | | 09.00-13.00 | Session 5: Space in Sound. Aesthetical Aspects | | | Room: H 1028 | | | | | 09.00 | Invited Talk: The necessity for an aesthetic disorientation (Agostino di Scipio)
| | 09.30 | Memory Space (Simon Emmerson) | | 10.00 | Echi tra le Volte, a sound design project for churches (Andrea Taroppi)
| | 10.30 | Spatial Orchestration (Eric Lyon)
| | | | | 11.00-11.30 | Coffee Break | | | | | 12.00 | Applications of Typomorphology in Acute; Scoring the Ideal and its Mirror. (Ricardo Climent)
| | 12.30 | Space resonating through sound (Lílian Campesato, Fernando Iazzetta)
| | | | | 14.00-17.00 | Session 6: Space in Sound. Musicological Aspects | | | Room: H 1028 | | | | | 14.00 | Invited Talk: Being a musician in a moving world (Daniel Teruggi) | | 14.30 | Space as an Evolution Strategy. Sketch of a Generative Ecosystemic Structure of Sound (Massimo Scamarcio)
| | 15.00 | The space in music of russian futurism: revolutionary prophecy of the "Sirens' Symphony" by Arseny Avraamov (Mikhail Dubov) | | | | | 15.30-16.00 | Coffee Break | | | | | 16.00 | Textural Composition and its Space (Kerry Hagan)
| | 16.30 | Sound in Cyberspace: Exploring Material Technoculture (Marilou Polymeropoulou) | | | | | 18.00 | Concert
| | | Room: H 104
| | | SMC Call for Music - Selected works | | | | | | Erik Nyström: Multiverse
Volker Hennes: The Maelstrom Method
Sam Salem: They Sing for Themselves
Douglas Henderson: The 103rd Thing and the 104th Thing
Georg Dennis: Electric Sheep
Jef Chippewa: DUO Javier
Alejandro Garavaglia: Pathétique
Martin Bedard: Excavations | | | | | 20:30 | Concert
| | | Room: H 104
| | | Von Mono zum Wellenfeld - 1 | | | | | | Gilles Gobeil: Castalie (2008) UA/AW
Karel Goeyvaerts: Compositie Nr. 5 met zuivere tonen (1953)
Rolf Enström: Directions (1979)
Franco Donatoni: Quartetto III (1961)
Earle Brown: Octet I (1953)
Henri Pousseur: Alaskamazonie, Canadacathay & Vietnamibie aus Voix et Vues planétaires (2003/2004)
Pei-Yu Shi: Slow, slow tune (2008) UA für Ensemble und Live-Elektronik
Kees Tazelaar: Crosstalk (2008) UA
| | | | | 22.30 | Concert | | | Room: H 104 | | | SMC Call for Music - Selected works
| | | | | | Thanos Chrysakis: INSCAPES 11-10; Klangdom John Ritz: In the Very Eye of Night; Acousmonium
Yutaka Makino: Ephemera; WFS + Klangdom + Acousmonium
Daniel Blinkhorn: Jeu fabriqué; Acousmonium
Ka Ho Cheung: FishyBahn, Klangdom
Pei Yu Shi: Fall aus der Zeit …; WFS
Manuella Blackburn: Origami; Acousmonium
Ioannis Kalantzis: Parastaseis A B C D; any system
Annette Vande Gorne: Yawar Fiesta (opera), 2. part; Acousmonium + Klangdom | | | |
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Saturday, 02.08.08 | 09.30-13.00 | Session 7: Algorithms and Environments for Music Composition | | | Room: H 1012
| | | | | 09.30 | Invited Talk: Mastering the materials: Integrating signal processing and organisational strategies for composing: "Globalalia" and beyond (Trevor Wishart) | | 10.00 | CompScheme: A Language for Composition and Stochastic Synthesis (Luc Döbereiner)
| | 10.30 | A dynamic spatial locator ugen for CLM (Fernando Lopez-Lezcano)
| | | | | 11.00-11.30 | Coffee Break | | | | | 11.30 | Zsa.Descriptors: a library for real-time descriptors analysis (Mikhail Malt , Emmanuel Jourdan)
| | 12.00 | Ephemeron: Control over Self-Organised Music (Phivos-Angelos Kollias)
| | 12.30 | An algorithm for real-time harmonic microtuning (Marc Sabat)
| | | | | 14.00-15.00 | Session 8: Studio Reports and Environments | | | Room: H 1012
| | | | | 14.00 | Novars research entre, University of Manchester, UK. Studio report (Ricardo Climent, David Berezan, Andrew Davison)
| | 14.30 | Speaker-Herd: A Multichannel Loudspeaker Project for Miscellaneous Spaces, Loudspeaker Architectures and Composition Approaches (P. Modler, L. Fütterer, E. Farchmin, F. Bierlein, R. Raepple, D. Loscher, T. Möhrmann, A. Rafinsky, M Zielke, A. Kerschkewitz, A. Unger) | | | | | 15.30-16.30 | Session 9: Feature Extraction & Classification | | | Room: H 1012
| | | | | 15.30 | Modeling Affective Content of Music: A Knowledge Base Approach (Antonio Pedro Oliviera, Amilcar Cardoso) | | 16.00 | Mode-dependent Differences in Chord Classification under an Original Computational Method of Tonal Structure Analysis (Miroslaw Majchrzak)
| | | | | 10.00-11.30 | Session 10: Sound Synthesis (->mp3 ) | | | Room: H 1028
| | | | | 10.00 | Concatenative Synthesis of Expressive Saxophone Performance (Stefan Kersten, Rafael Ramirez) | | 10.30 | Designing and Synthesizing Delay-Based Digital Audio Effects using the CORDIS ANIMA Physical Modeling Formalism (Kontogeorgakopoulos Alexandros, Cadoz Claude)
| | 11.00 | Extending voice-driven synthesis to audio mosaicing (Jordi Janer, Maarten de Boer)
| | | | | 11.00-13.00 | The future of copyright in Germany (in german) | | | Dr. Jürgen Brandhorst | | | GEMA Generaldirektion, Bayreuther Str. 37, 10787 Berlin | | | | | 14.00-17.00 | DEGEM General meeting | | | Room: H 1028 (changed from H 1012!)
| | | | | 16.30-18.30 | Sound Installation Tour Villa Elisabeth | | | starting from the TU foyer | | | | | 19.00 | Concert
| | | Room: H 104 | | | José Iges: La Ciudad Resonante
| | | | | 20.30 | Concert | | | Room: H 104 | | | Von Mono zum Wellenfeld - 2 | | | | | | Gilles Gobeil: Castalie (2008) UA/AW
Walter Ruttmann: Weekend (1929/30)
Ivo Malec: Week-end (Mvts 3 and 4) (1982)
Trevor Wishart: Vox-5 (1986)
John Chowning: Turenas (1972)
Mark Applebaum: Pre-Composition (2003)
Johannes S. Sistermanns: horizon t (2008) UA/AW | | | |
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Sunday, 03.08.08
| 10.00-12.00 | HfG - Klangkugel (Paul Modler, Hochschule für Gestaltung Karlsruhe)
| | | Demonstration
| | | | | 12.00-15.00 | Composers' Forum, concert, demonstration, discussion | | | with Daniel Teruggi, Hans Tutschku, Ludger Brümmer e.a.
| | | moderated by Fernando López-Lezcano Room: H104
| | | | | 15.00-17.00 | SMC Steering committee | | | Meeting | | | Room: H 1012
| | | | | 18.00 | Concert | | | Room: H 104 | | | GRM and friends | | | | | | Horacio Vaggione: Arenas
Wilfried Jentzsch: Dream of B
Denis Smalley: Pentes
Jean-Claude Risset: Sud
Pierre Henry: Labyrinthe ! (excerpts)
Hans Tutschku: Zwei Räume UA |
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