PROGRAM
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PROGRAM
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| THURSDAY 18 MAY | |||||||||
| 9H - 9H30 | Computer vision method for guitarist fingering retrieval | ||||||||
| Anne Marie Burns, Marcelo M. Wanderley | |||||||||
| 9h30 - 10h | A model for graphical interaction applied to gestural control of sound | ||||||||
| Jean-Michel Couturier | |||||||||
| 10h - 10h30 | Exploring the effect of mapping trajectories on musical performance | ||||||||
| Doug Van Nort, Marcelo M. Wanderley | |||||||||
| 10h30 - 11h | COFFEE BREAK | ||||||||
| 11h - 11h30 | Extracting musically - relevant rhythmic information from dance movement by applying pitch - tracking techniques to a video signal | ||||||||
| Carlos Guedes | |||||||||
| 11h30 - 12h | A java framework for data sonification and 3D graphic rendering | ||||||||
| Domenico Vicinanza | |||||||||
| 12h - 12h30 | Sound and music design for games and interactive media | ||||||||
| Stephane Natkin, Cécile Le Prado | |||||||||
| 12h30 - 14h | LUNCH | ||||||||
| 14h - 14h30 | Realtime control of geek chant synthesis | ||||||||
| Ioannis Zannos, Anastasia Georgaki, Dimitrios Delviniotis, Georgios Kouroupetroglou | |||||||||
| 14h30 - 15h | Using evolving physical models for musical creation in the Genesis environment | ||||||||
| Olivier Tache, Claude Cadoz | |||||||||
| 15h - 15h30 | Sound texture modeling : A survey | ||||||||
| Gerba Strobl, Gerhard Eckel, Davide Rocchesso | |||||||||
| 15h30 - 16h | COFFEE BREAK | ||||||||
| 16h - 16h30 | Temporal control over sound synthesis processes | ||||||||
| Jean Bresson, Carlos Agon | |||||||||
| 16h30 - 17h | A game audio technology overview | ||||||||
| Olivier Veneri, Stéphane Natkin, Cécile Le Prado, Marc Emerit | |||||||||
| 17h - 17h30 | AFIM Meeting | ||||||||
| CONCERTS | RAIN BEHIND EYES - La Friche La Belle de Mai - 21h | ||||||||
| FRIDAY 19 MAY | |||||||||
| 9H - 9H30 | Omax - Ofon | ||||||||
| Gérard Assayag | |||||||||
| 9h30 - 10h | First steps towards a digital assistant for performers and stage directors | ||||||||
| Alain Bonardi, Isis Truck | |||||||||
| 10h - 10h30 | Kinetic engine : Toward an intelligent improvising instrument | ||||||||
| Arne Eigenfeldt | |||||||||
| 10h30 - 11h | COFFEE BREAK | ||||||||
| 11h - 11h30 | Concurrent constraints models for interactive scores | ||||||||
| Antoine allombert, Gérard Assayag, Myriam Desainte-Catherine | |||||||||
| 11h30 - 12h | Automatic composition and notation in network music environments | ||||||||
| Georg Hajdu | |||||||||
| 12h - 12h30 | Imitative and generative orchestrations using pre-analysed sounds databases | ||||||||
| Grégoire Carpentier, Damien Tardieu, Gérard Assayag, Xavier Rodet, Emmanuel Saint-James | |||||||||
| 12h30 - 14h | LUNCH | ||||||||
| 14h - 14h30 | Generating chants using mnemonic capabilities | ||||||||
| Sudharsan Iyengar | |||||||||
| 14h30 - 15h | Music structure representation : A formal model | ||||||||
| Paolo Tagliolato | |||||||||
| 15h - 15h30 | An xml - based format for advanced music fruition | ||||||||
| Adriano Baratè, Goffredo Haus, Luca A. Ludovico | |||||||||
| 15h30 - 16h | COFFEE BREAK | ||||||||
| 16h - 16h30 | Computer - aided transformational analysis with tone sieves | ||||||||
| Thomas Noll, Moreno Andreatta, Carlos Agon | |||||||||
| 16h30 - 17h | Trends in/over time : Rhythm in speech and musical melody in 19th century art song | ||||||||
| Leigh VanHandel | |||||||||
| 17h - 17h30 | A computer - assisted analysis of rhythmic periodicity applied to two versions of Luciano Berio's Sequenza VII | ||||||||
| Patricia Alessandrini | |||||||||
| CONCERTS | LE FLANEUR - La Friche La Belle de Mai - 21h | ||||||||
| SATURDAY 20 MAY | |||||||||
| 9H - 9H30 | Interaction and spatialization : Three recent musical works | ||||||||
| Jean-Claude Risset | |||||||||
| 9h30 - 10h | Minimalism and process music : A pure data realization of "Pendulum music" | ||||||||
| Remigio Coco | |||||||||
| 10h - 10h30 | The Case study of an application of the system, "BodySuit" and "RoboticMusic" : Its introduction and aesthetics | ||||||||
| Suguru Goto | |||||||||
| 10h30 - 11h | COFFEE BREAK | ||||||||
| 11h - 11h30 | Afim workgroup presentation | ||||||||
| Frederic Flohr | |||||||||
| 11h30 - 12h | Composing audio-visual art : The issue of time and the concept of transduction | ||||||||
| Benoît Courribet | |||||||||
| 12h - 12h30 | Vocabulaire de l'espace et de la spatialisation | ||||||||
| Bertrand Merlier | |||||||||
| 12h30 - 14h | MUSICAL SOFTWARE CONTEST "LoMus", BUFFET | ||||||||
| IMAGE / SOUND RELATIONS | |||||||||
| WORKGROUP AND STUDIO REPORTS | |||||||||
| SOUND MODELING AND CONTROL | |||||||||
| INTERACTIVE MUSIC SYSTEM | |||||||||
| MUSIC MODELING AND REPRESENTATIONS | |||||||||
| MUSICAL ANALYSIS | |||||||||
| REALTIME MUSICAL APPLICATIONS | |||||||||
| AFIM WORKGROUPS SESSION | |||||||||
| CONCERTS | |||||||||